Sound for Film and Television, Second Edition provides a thorough introduction to the fascinating field of recording, editing, mixing, and exhibiting film and television sound. It strikes a fine balance between aesthetic and technical content, combining theory and practice to approach sound as both an art and a science, as no other text has before. This edition includes new information on digital techniques as they have arisen in the industry, and expanded coverage of sound editing and design.
Written by one of Hollywood's leading sound experts, Sound for Film and Television, Second Edition provides a solid grounding in all aspects of the sound process. Basic principles are presented with illustrations demonstrating how they affect the day-to-day activities on a film or television set, in the editing room, and in the mix room.
Television Production: A Classroom Approach
This best-selling 2-volume set of books on television production is widely used in secondary school courses. Completely revised to reflect the advances in television production in the last ten years, this new edition incorporates the advent of digital imaging and equipment.
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Television at the Crossroads by George Wedell, ISBN 0333716469
Television had, until recently, a social and cultural purpose. In Britain, the BBC, ITV and Channel 4, were committed to develop and maintain these purposes. With the enlargement of the range of choices for viewers by digital television and the provision of access to cable and satellite TV and the Internet, the role of the terrestrial television channels is being diluted. The authors examine these effects and consider what can be done to maintain the standards and quality of television at a time of unlimited competition.
Television at the Crossroads by George Wedell, ISBN 0333716469
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Watching TV: Six Decades of American Television by Harry Castleman, ISBN 0815629885
A season-by-season survey capturing the essence of television from its inception to the present.
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Television Drama: Theories and Identities
This book offers both a clear account of theoretical approaches to television drama and readings of a range of television drama texts. Arguing that TV drama is a key site for exploring the usefulness of contemporary theories of identity, culture and representation, it offers a framework which links this analysis to theoretical concepts explored elsewhere in cultural, media and film studies over recent years. Each chapter provides a critical account of a specific theoretical approach, outlining its history and scope, and demonstrating its application across a range of TV dramas, ending with a close reading of particular examples. Organized around the themes of identity and subjectivity, the book encompasses a wide range of approaches and texts, from sitcom, to docudrama, to sci fi, and is an ideal resource for undergraduate students of media studies, cultural studies, communication studies, and television and film studies.
Television Drama: Theories and Identities
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