Though conventional wisdom claims that television is a co-conspirator in the repressions of Cold War America, Doherty argues that during the Cold War, through television, America actually became a more tolerant place. He examines television programming and contemporary commentary of the late 1940s to the mid-1950s -everything from "See It Now" to "I Love Lucy," from Red Channels to the writings of Walter Winchell and Hedda Hopper. By rerunning the programs, freezing the frames, and reading between the lines, Doherty paints a picture of Cold War America that belies many black and white cliches.
Entertaining Politics: New Political Television and Civic Culture
Contrary to arguments that television is detrimental to democracy, Entertaining Politics explores the role of new political television in shaping a changing civic culture. Jeffrey P. Jones shows how viewers understand and make use of the increasingly blurred lines between 'serious' and 'entertainment' programming and argues that alarmist critics who predict the end of politics in the age of television have misconstrued the role of the medium and the commitment of audiences to both TV and public life.
Entertaining Politics: New Political Television and Civic Culture
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Hitch Your Antenna to the Stars!: Early Television and Broadcast Stardom
"Hitch Your Antenna to the Stars" is the first cultural and industrial history of early television stardom. Susan Murray argues that television stars were central to the growth and development of American broadcasting. They were used not only to promote programs and the sale of television sets and advertised consumer goods, but also to established network identities. Through profiles of well-known performers including Milton Berle, Sid Caesar, Jackie Gleason, and Lucille Ball, she shows how the television industry gave birth to the idea of TV stars and established a system of star production and management notably different from the Hollywood star system of the studio era.
Hitch Your Antenna to the Stars!: Early Television and Broadcast Stardom
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Why TV Is Not Our Fault: Television Programming, Viewers, and Who's Really in Control
This book dispels the myth that the television industry is just giving viewers the programming they want to see and, thus, we as viewers are responsible for the existence of shows like Fear Factor and yet another Survivor. In fact, Meehan explains, viewers exert no demand in the market. She also counters the idea that TV programs reflect our culture directly. Introducing us to the political economy of television, Meehan covers programming, corporate strategies, advertising, network competition, and organizations that seek more industry accountability. She tells us why TV isn't our faultand who's really to blame.
Why TV Is Not Our Fault: Television Programming, Viewers, and Who's Really in Control
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Television Production: A Classroom Approach
This best-selling 2-volume set of books on television production is widely used in secondary school courses. Completely revised to reflect the advances in television production in the last ten years, this new edition incorporates the advent of digital imaging and equipment.
Television Production: A Classroom Approach
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